Dsus4 Chord on Ukulele
Dsus4 = D – G – A (Root, Perfect 4th, Perfect 5th)
Dsus4 abandons D major's barre entirely in favor of three independent fingers: middle finger on the C string's second fret, ring finger on the E string's third fret, while the G and A strings stay open. It's a genuinely different shape from D major rather than a small variation on it, since none of the three fretted notes reuse the barre technique that chord depends on.
Swapping out D major's third for the fourth scale degree gives this chord the same restless, forward-leaning quality that defines any sus4 voicing — the note sits just one half-step above the third it's covering for, so the ear keeps expecting it to settle back down. It's a natural pre-resolution move right before a phrase lands on plain D, lending a beat of anticipation that folk, rock, and pop ukulele strumming all lean on. Dropping the barre in favor of two separately placed fingers also gives Dsus4 a noticeably different feel under the hand than either D major or Dsus2, since it depends on finger independence rather than one flattened digit doing all the work.
Fingerings
Open Position
How to Practice It
With no barre involved, the real task is landing the middle and ring fingers accurately on the C and E strings while the G and A strings stay untouched and open — keep the ring finger's approach angle clean so it doesn't brush the open A string beside it. Practice the release from Dsus4 into D major deliberately: the ring finger lifts off the E string's third fret at the same moment the index finger re-flattens into the barre, which is a genuinely different hand shape rather than a single finger lift, so this transition rewards slow, isolated repetition before it's rushed into a strumming pattern.
Common Progressions
- Dsus4 – D, the standard suspension-and-resolution move
- I(sus4) – I – IV – V (Dsus4 – D – G – A)
- IV – V – I(sus4) – I (G – A – Dsus4 – D)
- A repeated Dsus4-to-D alternation works as a simple rhythmic vamp.
FAQ
- Does Dsus4 use the same barre technique as D major?
- No — it drops the barre entirely, using two independent fingers on the C and E strings instead, while the G and A strings ring open, making it a genuinely different physical shape rather than a variation on D major's barre.
- How does Dsus4 resolve back to D major?
- The hand reforms into the barre shape — releasing the independent middle and ring fingers and re-flattening the index finger across the G, C, and E strings — a real change in hand position, not just a single finger lift.
- Why does Dsus4 feel more tense than Dsus2?
- The two suspended notes sit at different distances from the third they're replacing — sus4's is closer, which is simply why the ear hears a tighter, more urgent need for it to resolve compared to sus2's looser, more open ambiguity.
- Is Dsus4 commonly used as a rhythmic embellishment?
- It shows up regularly as a quick anticipatory flourish right before a strummed downbeat, a strumming-pattern habit carried over from guitar accompaniment that fits naturally onto ukulele given how the two instruments share so much rhythmic vocabulary.
- Which note does Dsus4 add compared to plain D major, and where does it sit?
- It replaces D major's third with G, the fourth scale degree, fretted on the E string's third fret — a different string entirely from where D major's own barre would normally cover that pitch.
- Is there a barre version of Dsus4 available as an alternative?
- Not a practical one within easy reach — because the sus4's two fretted notes fall on different frets rather than the same one, this particular voicing has to rely on two independent fingers instead of a single flattened barre.
- How should a beginner practice the Dsus4-to-D transition at tempo?
- Start slowly enough that both the release of the sus4 shape and the re-formation of D major's barre happen deliberately and separately, then gradually speed up until the two motions blend into one fluid gesture rather than two distinct steps.
- Does Dsus4 sound different depending on strumming intensity?
- Somewhat — a soft strum lets the suspended tension linger and register clearly, while an aggressive, fast strum tends to blur it into something closer to a percussive accent, so the same chord can read as either a deliberate harmonic color or a rhythmic flourish depending on how it's played.
Dsus4 on other instruments: Dsus4 on Guitar, Dsus4 on Piano. Related: how chords are built, chord finder.